Obviously, hiring a mastering engineer is one of the most popular ways to get your song mastered. Use the master rebalance, low end focus, imager, equalizer, track referencing, maximizer, spectral shaper, dynamic EQ, exciter, dynamics, vintage modules (tape, limiter, EQ, compressor), and more, to dial in your mastering with confidence and reassurance. You can match your reference track with relative ease, use Tonal Balance Control 2 to talk to other iZotope plugins, and more.

With Ozone 9, you can control your lows, mids, and highs with the spectral shaper, low-end focus modules, and other tools. The Master Assistant can even help you tap into your desired results. With a machine learning powered workflow, Ozone 9 allows you to achieve balance, deep low end, instrument separation in real time, and more, with velocity. And Grammy-award winning producer Greg Wells found it powerful and easy to work with. DJ Zinc thought of it as his one-stop mastering tool.

Grammy-award winning producer Butch Vid called Ozone his go-to mastering tool. But in this case, we’re focusing specifically on mastering, because that’s what iZotope’s Ozone 9 was built for. Postproduction generally encompasses editing, mixing, and mastering. While making great music is about coming up with dazzling ideas, recording killer hooks and riffs, finding samples that are matched to your lyrical content, spitting dope rhymes, and more, there’s another aspect to recording you simply can’t ignore if you want to drop tracks your fans won’t be able to get enough of – postproduction.

Fl studio rap beat